Welcome back to Bite-size Reads, my 2022 challenge to read (some of) the amazing anthologies on my shelves. Today I’m looking at the final batch of stories from Sinopticon, a curated collection of Chinese SF translated and presented by Xueting Ni.
Short stories
Welcome back to Bite-size Reads, my 2022 challenge to read (some of) the amazing anthologies on my shelves. Today I’m looking at my second batch of stories from Sinopticon, a curated collection of Chinese SF translated and presented by Xueting Ni.
Welcome to Bite-size Reads, my 2022 challenge to read (some of) the amazing anthologies on my shelves. I’ll be chiming in every couple of weeks with thoughts on the stories I’ve recently enjoyed – starting today with tales from Sinopticon, a curated collection of Chinese SF translated and presented by Xueting Ni.
With Sinopticon, critically acclaimed writer and essayist Xueting Christine Ni has curated a unique exploration of China’s speculative fiction from the late 20th Century onwards. In advance of publication next week, she was kind enough to stop by for a chat about translation, curation and the Chinese science fiction scene.
Kim Bo-Young is a respected SF author in her native South Korea. I’m Waiting For You marks the first time her work has appeared in English, collecting two pairs of connected short stories exploring love, sacrifice and identity.
When Allah created man out of clay, he created djinn out of fire. Ephemeral spirits that tempt us, trick us, and sometimes grant our wishes, these creatures of folklore take centre stage in excellent Mahvesh Murad & Jared Shurin’s anthology, The Djinn Falls in Love.
“You take a shortcut through the hydroponics bay on your way to work, and notice that the tomato plants are covered in tiny crawling insects that look like miniature beetles.”
WHAT CAN POSSIBLY GO WRONG?
Caroline M Yoachim’s entertaining response wins a Nebula nomination.
I’ve been missing my weekly dose of Tremontaine, so it was with mingled delight and horror that I recalled I hadn’t yet treated myself to Tessa Gratton’s prequel story Nine Duels. Welcome to the heartache of smoking hot swordsman Vincent Applethorpe’s foreign adventures.
1970s Earth. The political situation is fraught, the music scene is humming, and out in space hangs the GCU Arbitrary and its motley crew of humans. Diziet Sma wants to make contact. Linter has gone native and is trying to escape the Arbitrary entirely. And Li wants to blow the place up…
Christmas Eve is when Icelanders given books to one another and winter is when we Brits historically told ghost stories by the fire. I’m celebrating the season with a collection of speculative horror stories chosen by Margrét Helgadóttir.
One of the great joys of the Riverside books and Tremontaine is that they act as glimpses into a timeline. With The Eye of the Swan, Kelly Robson pushes the clock back further even than Tremontaine, narrowing in on the period after Diane has arrived in the City, but before she has truly flowered as the Duchess. Welcome to a more innocent time.
Strange things keep coming out of Nadia’s pockets. Not her things. Not things that might accidentally have found their way into the wrong coat. Not things that should, by rights, physically fit in the space afforded by the pockets in question. But they keep coming out. Pockets is the World Fantasy Award-nominated short story by Amal El-Mohtar.
The tales that trees tell – most of them – are too long, too slow, too uneventful for us to understand. But some stories snake like cold sap through their roots in winter and quicken in summer to race through their thickening foliage. These tales, you see, tell of people, of you and of me.
A group of young people go on holiday, running away from the tawdry disappointments of taking the first steps into their adult lives. They need a few days revelling in their friendship on a warm beach, rekindling old joys. But Punta Silenyo is an empty, haunted resort. Is it the best place to forget their cares?
Vita awakens blind, her onboard AI assuring her there’s no problem with visual feed. Stranded in a ship so damaged it can’t tell where it hurts, can Vita face her own wounds and find her way home?
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