I think the real problem with This Means War is that I know it’s terrible, but I still can’t resist the outrageous levels of charm exuded by its three stars (Chris Pine, Tom Hardy, Reese Witherspoon).
Continuing my exploration of European crime fiction, I recently tried out Jo Nesbo – frequently advertised on the […]
When asked, I used to insist I didn't read (let alone – ye gods – enjoy) crime. I've […]
The whole point of joining a bookclub is – for me at least – to push me outside […]
At the risk of becoming a book blog, musings on the rest of my January reading.
I want to start with a confession. I didn’t think Drive was all that. Sure, Ryan Blue-Eyes smouldered, but he was also creepy, frankly, and not in a good way. I didn’t appreciate that women are molls or doe-eyed mothers who need a good rescuing. And I’ve never been a fan of electronica.
Caught up last night with The Devil’s Double (in which Dominic Cooper reminds us that he can act, whilst remaining unaverse to chewing up scenery) and The Guard (in which Brendan Gleeson is unashamed of his pants). Two more dissimilar films may not exist, but we couldn’t face Drive after the bloodied insanity of Usay Hussain.
I first stumbled across A Brief History of the Dead in 2007, but never got round to reading it. I was delighted when it was picked as the inaugural volume for the new work bookclub. I'm unashamedly going to use LJ to capture my thoughts and impressions of each bookclub book I read, to help manage the gap between me finishing it and the group getting together to discuss.
First things first: ABHotD is the tale of Laura, a scientist working for Coca-Cola, who is sent to Antarctica as part of a PR stunt. When a pandemic plague sweeps the world, she is protected by her position, but ignorant of current events. Her storyline is her fight for survival in (probably) the least hospitable place in the world, as she struggles across the ice cap in search of help that can never come.
The dead of the title are the twin storyline, living on (existing?) in a city for as long as they are remembered by the living. As the city empties due to plague (think about it), the survivors find new connections in the web of Laura's past.
I first read Susan Hill at school – The Woman in Black inevitably and I'm the King of the Castle. Woman stands out as the perfect chiller, and I've subsequently seen the excellent stage adaptation; King was a downright unpleasant exploration of children, read alongside Lord of the Flies and in a similar vein.
Crime felt like a departure for Hill, but it was obvious from the beginning that the Simon Serrailler novels were not typical police procedurals. The fictional cathedral town of Lafferton is entirely real and recognisable, for all it exists as only a few well-described key locations; Hill taps into the platonic English country town to sketch the rest. we don't need detail or maps, because we have all been there in some incarnation.
In contrast, the principal characters – the Serrailler family – are thoroughly considered, and the novels are more about their lives, causes and preoccupations than about the murders that drive the plots. Where Susan Hill excels throughout the series is her nuanced look at humanity's strengths, fatal flaws and other weaknesses through the lens of the family's experience. The series seems designed to make the reader uncomfortable, and the latest is no exception in it's wish to challenge the reader's ethics and sense of justice.
I used to try to remind myself (and inflict on you) what I particularly loved and loathed each year amongst the various books and films I consumed. Since joining the circus, I've failed to do this thanks to big work-related requirements in the first week of the year. However, it seems to be a week into 2012 and I'm procrastinating about going for a run, so this seems like a good time to revive that old meme.
We managed to get to the movies a lot more often this year, with several binges between long gaps of workiness. The habit of only going to things we really want to see on a big screen mean the hit rate of enjoyment was high (needless to say, no Transformers 3 for us). Honourable mentions go to Source Code, Hanna, Tinker Tailor Soldier Spy, The Ides of March, and Contagion, all of which were thoroughly polished and much enjoyed.
The Ides of March has a lot to live up to: Clooney is Democratic candidate Mike Morris, gearing up to become the Democratic presidential candidate.
The comparisons with Primary Colors are inevitable. Ides is also told from the perspective of idealistic campaign manager (here a chiseled Ryan Gosling, using his soulful blue eyes to good effect); its candidate is charismatic and idealistic; and if the hard-nosed wrangler is Philip Seymour Hoffman rather than Kathy Bates, that’s hardly a shortcoming.
…stands for Benoit B Mandelbrot. Tonight, dizzykj and I attended the Air Accordion Society, which turns out to […]
It's been a long old week, so the boy and I rewarded ourselves by buying a lot of our favourite foods, grabbing some DVDs and agreeing we could spend 36 hours on the sofa. The steak and haggis were peerless, the wine was good, so that leaves me with some muddled thoughts on media. I'll warn you now – this is a ramble.
I avoided reading Jacqueline Carey for years, put off by the avalanche of cliche and exploitation that oozed […]
I finally got round to finishing the first series of Dollhouse while ironing for tomorrow. Quite apart from […]